Constantin Stanislavski was a Russian businessman Essay Example For Students

Constantin Stanislavski was a Russian businessman Essay Constantin Stanislavski was a Russian businessman that changed his career path to become a director due to his fondness of theatre and the arts. He founded the Moscow Arts Theatre with his partner Vladimir Nemirovich-Danchenko. Stanislavski initiated the Stanislavski System of acting, which was spread around the world by his students and interpreted and developed by others like Lee Strasberg. The goal of Constantin Stanislavski’s system was to take an audience into a different world that will make everything they see or hear believable no matter what, unlike Brecht his method was to connect with the audience emotionally, physically and spiritually. The method requires that an actor utilize, among other things, his emotional memory (i.e., his recall of past experiences and emotions). The actor’s entrance onto the stage is considered to be not a beginning of the action or of his life as the character but a continuation of the set of preceding circumstances. The actor has trained his concentration and his senses so that he may respond freely to the total stage environment. Through empathic observation of people in many different situations, he attempts to develop a wide emotional range so that his onstage actions and reactions appear as if they were a part of the real world rather than a make-believe one. In order for an actor to make his role believable the actor would use a method or various methods from Stanislavski’s system to create his own flashback that would lead him to fully absorb the role that he is going to perform and to do that effectively the actor must take the dramatic techniques into consideration and pay extra attention to them such as posture, voice and body language. For this research I will be looking at the character Kipps in The Woman in Black by Susan Hill and I will focus on how an actor playing this role, will use Stanislavski’s method in order to portray the characters characteristics and personality effectively. The Woman in Black is a 1983 horror novella that was adapted by Stephen Mallatratt in 1987. In the adapted version Kipps persuades an Actor to help him tell his story, hoping that if he acts it out and relives it, it’ll help him move on. The actor plays the part of Young Kipps while Kipps plays various roles of people he met. Arthur Kipps is a man lost in his memories and can’t settle down for anything because the past is haunting him he is a mature and complex role with many emotions and his role isn’t merely just an excuse to scare the audience, but actually a character that has a real relationship with the things he loves. His character has changed him from a modern man that doesn’t believe in superstitious things to a cautious man that sends off a coward vibe, although he has survived one of the most traumatizing incidents ever. In the play the audience witnesses Kipp’s emotional breakdown as he slowly starts to figure out the story of El Marsh House. (Quote) (Methods) The Techniques: Before starting to prepare for the role of Kipps the actor should understand that there is no such thing as actuality on stage, but only imagination, which is an art every dramatist should master. The aim of the actor in this play is to use these techniques and turn this play into a theatrical reality. All of Stanislavski’s techniques require the actor to call upon his imagination, and the more the imagination is fertile, the more interesting the actor’s choices would be in terms of the physical action, and creating the character. Breast cancer EssayThat would bring us to emotional memory, which would be a very good technique to use once Kipps reaches the stage of horror. Emotional memory requires the actor to recreate an event from the distant past in his mind in order to regenerate the â€Å"feelings† of that memory and incident that was experienced at the time. Emphasis on distant because â€Å"Stanislavski felt (at that time) that time distilled events and feelings, acting as a ‘splendid filter for remembered things.’ Stanislavski believed that the quality of an actor’s performance depended upon the sincerity of his experience. This sincere experience went through a ‘time filter’ that transformed the quality of the experience into a ‘poetic reflection of life’s experience.’† The actor should consider the stage his home, where he lives, not a real life but a true stage experience, which means the actor should be comfortable with his role a nd the stage space. Conclusion: In conclusion, in order for the actor to prepare for the role of Kipps in â€Å"The Woman in Black† the actor must make a clear link between the units and objectives of the play, a unit is a section of a scene that the actor divides up once he is discovered the units of action, and each unit contains an objective that the actor must pursue. To pursue the objectives the actor created he must follow Stanislavski’s techniques that were mentioned above, and that would result in self indulgent acting and not just communication with others on the stage. Touching upon ones subconscious could be extremely difficult, but once the actor reaches that point, follow the methods would be really easy to him, and that would lead to a believable performance and an easier delivery of the lines. But the actor should be motivated to do so, his mind and his feelings should be motivated enough to take upon a role that requires many emotions and a lot of climax that results in a change of the characters emotions. Concentration is key when it comes to Stanislavski’s techniques, and delivering them will require a lot of concentration beforehand and during the performance. But the actor shouldn’t block out the audience because Stanislavski felt that would contradict the point of theatre. Theatre is an art and blocking out its recipients would ruin the point of the performance because the audience are the co-creators of the performance.